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Practical vs. Digital Effects in Horror

February 3, 2012 | No comments | Posted in Filmmaking, Horror | Tags: , , , ,

A blogger on The Independent reviews The Thing (2011), comparing the two in terms of how the special effects were done. In John Carpenter’s 1982 version, digital effects were all but non-existent, and all of the body-crunching gore was achieved using practical means — prosthetics, mechanical contraptions, lots of liquid latex and fake blood, and so on. The 2011 version features digital effects — all the alien violence was made by a team of geeks on their fancy computers.

It’s a controversial topic among horror fans. I tend to agree with most of what the author says about the use and misuse of digital effects. Where do you weigh in? Was he too tough on modern horror using digital effects?

He did make a comment that I can’t completely agree with, however. He says that “modern US horror cinema is defined by lazy cash-ins, spin-offs and other defilements of legendary films.” Lazy cash-ins and spin-offs: yes. Defilements of legendary films: get over your hatred of remakes because of the alleged untouchable holiness of the originals. I’m tired of hearing this kind of argument.

Just had to put that out there.

“Modern horror: Lay off the CGI and bring back prosthetics”

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