Phish – Blossom, Cuyahoga Falls, OH 6-12-10

Of all the bands I've gone out to see throughout my life -- starting with the Pittsburgh stop of They Might Be Giants' Apollo 18 tour when I was 15 -- Phish is the most wonderful, consistent group I've seen. Even if you just listen to any of their readily-available live recordings, you'll hear that they strive to stretch the bounds of their music and deliver new experiences to their audience. And to rock.
Last night was a fantastic Phish show. The highlights for me were "Sample in a Jar," "Mike's Song" segued into "Weekapaug Groove," "Character Zero," and "The Squirming Coil" as their encore/closer. I always get chills when Page pounds out the last bars of that one.
I took all these pictures on my Blackberry Storm, so the quality sucks on some of them.

The crowd was thick, hot, and impatient. Bottlenecks going in, and worse bottlenecks trying to get out afterward.


The weatherman called for scattered thunderstorms, but it never rained until well after the show. While I'm glad that we didn't get dumped on while Phish played, I was actually praying for the rains to come and alleviate the humidity. I was coated in sweat the whole time.


Phish has the best light show. Period. Chris Kuroda is a brilliant lighting designer, and is as much a part of the band as any of the four playing on stage.


Balloon Guy. This hippie kept running through the crowd with ornate balloon animals, and seemed to really like running around the area we were standing in.




Blood Comes From Your Throat
For the better part of a decade now, I've been working on a series of songs based on Zombi 2. There are several of these written and recorded in many forms, but I'm not finished yet.
This is a song about Susan. I originally wrote it faster and heavier, but was never really happy with the arrangement and my vocals. It kinda sucks. So I reworked the whole song, and even made a little video to go along with it that follows the story.
Ronnie James Dio is Dead
. . . which is terrible for his friends, family, and fans. But I didn't care for any of his music, so I'm not that concerned.

The Wreck of the Edmund Fitzgerald
I feel bad that I haven't posted anything in several days, so to try to appease your wrath, I bring you my rendition of the Gordon Lightfoot song. I sing/play everything in the song.
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Fear Factory – Mechanize (2010)
I was hesitant to pick up Fear Factory's newest effort Mechanize. My first experience with them was their highly popular album Obsolete, which immediately made me a fan. Then I picked up Demanufacture, which is slightly more raw and brutal, also a fantastic album.
But then things went weird for the band. Creative differences began to show through on Digimortal, the followup to Obsolete. It wasn't a great album, and the band seemed to be in limbo for a while. Madman guitarist Dino Cazares left the band after a falling-out with vocalist Burton C. Bell. Bassist Christian Olde Wolbers switched to guitar, Byron Stroud (from Strapping Young Lad) took over on bass, and Raymond Herrera remained on drums.
They released Archetype -- which I love. A few years later came Transgression, which was lukewarm (although I'd still listen to that over Digimortal any day). I figured they were still growing with the rearranged lineup, although they were pulling away from the element of death metal and getting awful pop-sounding on some tracks (like that U2 cover?!).
Then they kind of wandered away from each other. Christian and Herrera began playing in Arkaea, and Burton decided to reform Fear Factory with Dino back on guitar, Gene Hoglan (from Strapping Young Lad) on drums, and Byron remaining on bass. Controversy abounds, and you can read all the (supposed) details on the Wikipedia page.
While I love Fear Factory, I became disinterested in them. All the bickering and problems kind of turned me off. I'm not fully convinced that I like Burton or Dino. I like the Strapping Young Lad guys, Christian and Raymond.
Which brings me back to my original statement: I was hesitant to pick up their February 2010 release, Mechanize.

And to be honest, this is about what you would expect from a Fear Factory album. Dino has come up with some really cool riffs, and the mega-robot-drummer Hoglan adds larger-than-life heaviness to the mix. Burton adds some welcome growls this time around, but his vocals aren't anything you haven't heard before. He maintains his ability to do death metal screams and melodic singing within the same song, which ain't easy.
While this is an album I'll probably listen to fairly regularly, it's really nothing new in the realm of Fear Factory. At times I feel like I'm listening to Demanufacture or Obsolete. I'm fairly certain that the purpose of this album was to re-establish cred with an increasingly disillusioned fan base.
Innovation it isn't. However, it's an enjoyable album that FF fans will appreciate. Hopefully, Mechanize is a stepping stone to further growth and creativity in the band.
Rating: 7/10

